| 000 | 03291cam a2200541 i 4500 | ||
|---|---|---|---|
| 001 | 9781003030317 | ||
| 003 | FlBoTFG | ||
| 005 | 20220509193134.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 200603t20212021enk ob 001 0 eng | ||
| 040 |
_aOCoLC-P _beng _erda _epn _cOCoLC-P |
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| 020 |
_a1000222470 _qelectronic book |
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| 020 |
_a9781000222494 _qelectronic book |
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| 020 |
_a1000222497 _qelectronic book |
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| 020 |
_a9781003030317 _qelectronic book |
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| 020 |
_a1003030319 _qelectronic book |
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| 020 |
_a9781000222470 _q(electronic bk.) |
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| 020 |
_a9781000222487 _q(electronic bk. : Mobipocket) |
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| 020 |
_a1000222489 _q(electronic bk. : Mobipocket) |
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| 020 |
_z9780367466749 _qhardcover |
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| 035 | _a(OCoLC)1157353459 | ||
| 035 | _a(OCoLC-P)1157353459 | ||
| 050 | 0 | 4 |
_aPT2603.R397 _bZ797 2021 |
| 072 | 7 |
_aPER _x000000 _2bisacsh |
|
| 072 | 7 |
_aPER _x011030 _2bisacsh |
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_aHIS _x017000 _2bisacsh |
|
| 072 | 7 |
_aAN _2bicssc |
|
| 082 | 0 | 0 |
_a832/.912 _223 |
| 100 | 0 |
_aPrateek, _d1982- _eauthor. |
|
| 245 | 1 | 0 |
_aBrecht in India : _bthe poetics and politics of transcultural theatre / _cDr. Prateek. |
| 264 | 1 |
_aAbingdon, Oxon ; _aNew York : _bRoutledge, _c[2021]. |
|
| 264 | 4 | _c©2021 | |
| 300 | _a1 online resource (x, 189 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 520 |
_a"Brecht in India analyses the dramaturgy and theatrical practices of the German playwright Bertolt Brecht in post-independence India. The book explores how post-independence Indian drama is an instance of a cultural palimpsest, a site celebrating a dialogue between Western and Indian theatrical traditions, rather than a homogenous and isolated canon. Analysing the dissemination of a selection of Brecht's plays in the Hindi belt between the 1960s and the 1990s, this study demonstrates that Brecht's work provided aesthetic and ideological paradigms to modern Hindi playwrights, helping them develop and stage a national identity. The book also traces how the reception of Brecht was mediated in India, how it helped post-independence Indian playwrights formulate a political theatre, and how the dissemination of Brechtian aesthetics in India addressed the anxiety related to the stasis in Brechtian theatre in Europe. Tracking the dialogue between Brechtian aesthetics in India and Europe and a history of deliberate cultural resistance, Brecht in India is an invaluable resource for academics and students of theatre studies and theatre historiography, as well as scholars of post-colonial history and literature"-- _cProvided by publisher. |
||
| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 600 | 1 | 0 |
_aBrecht, Bertolt, _d1898-1956 _xAppreciation _zIndia. |
| 600 | 1 | 0 |
_aBrecht, Bertolt, _d1898-1956 _xInfluence. |
| 650 | 0 |
_aTheater _zIndia _xHistory _y20th century. |
|
| 650 | 0 | _aPostcolonialism and theater. | |
| 650 | 7 |
_aPERFORMING ARTS / General _2bisacsh |
|
| 650 | 7 |
_aPERFORMING ARTS / Theater / Playwriting _2bisacsh |
|
| 650 | 7 |
_aHISTORY / Asia / India & South Asia _2bisacsh |
|
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003030317 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 999 |
_c130672 _d130672 |
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