000			03517cam a22005418i 4500
001			9780429467615
003			FlBoTFG
005			20220509193131.0
006			m o d
007			cr |||||||||||
008			200416s2020 nyu ob 001 0 eng
040			_aOCoLC-P _beng _erda _cOCoLC-P
020			_a9780429467615 _q(ebook)
020			_a0429467613 _q(ebook)
020			_a9780429885150 _q(electronic bk. : EPUB)
020			_a0429885156 _q(electronic bk. : EPUB)
020			_a9780429885167 _q(electronic bk. : PDF)
020			_a0429885164 _q(electronic bk. : PDF)
020			_a9780429885143 _q(electronic bk. : Mobipocket)
020			_a0429885148 _q(electronic bk. : Mobipocket)
020			_z9781138606500 _q(hardback)
035			_a(OCoLC)1151531034
035			_a(OCoLC-P)1151531034
050	0	0	_aPN1995.9.S76
072		7	_aSOC _x000000 _2bisacsh
072		7	_aSOC _x026000 _2bisacsh
072		7	_aJHB _2bicssc
082	0	0	_a791.43/652 _223
100	1		_aHagley, Annika, _d1983- _eauthor.
245	1	0	_aReborn of crisis : _b9/11 and the resurgent superhero / _cAnnika Hagley and Michael Harrison.
264		1	_aAbingdon, Oxon ; New York : _bRoutledge, _c2020.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bn _2rdamedia
338			_aonline resource _bnc _2rdacarrier
490	1		_aThe cultural politics of media and popular culture
520			_a"This book examines the dominant popular culture convention of the superhero, situated within the most significant global event of the last twenty years. Exploring the explosion of the superhero genre post-9/11, it sheds fresh light on the manner in which American society has processed and continues to process the trauma from the terrorist attacks. Beginning with the development of Batman in comics, television and film, the authors offer studies of popular films including Iron Man, Captain America, The X-Men, Black Panther and Wonder Woman, revealing the ways in which these texts meditate upon the events and aftermath of 9/11, and challenge the dominant hyper-patriotic narrative that emerged in response to the attacks. A study of the superhero genre's capacity to unpack complex global interplays which question America's foreign policy actions and the white, militarized masculinity that has characterized major discourses following 9/11, this volume explores the engagement of superhero films with issues of authority, patriotism, war, morals, race, gender, surveillance, the military industrial complex, and American political and social identities. As such, it will appeal to scholars and students of cultural and media studies, film studies, sociology, politics and American studies"-- _cProvided by publisher.
588			_aOCLC-licensed vendor bibliographic record.
650		0	_aSuperhero films _zUnited States _xHistory and criticism.
650		0	_aSeptember 11 Terrorist Attacks, 2001, in motion pictures.
650		0	_aSeptember 11 Terrorist Attacks, 2001, in mass media.
650		0	_aNational characteristics, American, in motion pictures.
650		0	_aPopular culture _xPolitical aspects _zUnited States _xHistory _y21st century.
650		7	_aSOCIAL SCIENCE / General _2bisacsh
650		7	_aSOCIAL SCIENCE / Sociology / General _2bisacsh
700	1		_aHarrison, Michael, _d1975- _eauthor.
856	4	0	_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780429467615
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999			_c130557 _d130557