000			03835cam a22005538i 4500
001			9780429316876
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005			20220509193126.0
006			m o d
007			cr |||||||||||
008			190401s2020 nyu ob 001 0 eng
040			_aOCoLC-P _beng _erda _cOCoLC-P
020			_a9780429316876 _q(Master)
020			_a0429316879
020			_a9781000075205 _q(Pdf)
020			_a1000075206
020			_a9781000084788 _q( ePub)
020			_a1000084787
020			_a9781000079999 _q(Mobi)
020			_a1000079996
020			_z9780367321345 (hardback : alk. paper)
035			_a(OCoLC)1091239845
035			_a(OCoLC-P)1091239845
050	1	0	_aPR4038.C47
072		7	_aLCO _x000000 _2bisacsh
072		7	_aLIT _x000000 _2bisacsh
072		7	_aDSBF _2bicssc
082	0	0	_a823/.7 _223
100	1		_aAilwood, Sarah, _eauthor.
245	1	0	_aJane Austen's men : _brewriting masculinity in the romantic era / _cSarah Ailwood.
264		1	_aNew York, NY : _bRoutledge, _c2020.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bn _2rdamedia
338			_aonline resource _bnc _2rdacarrier
490	0		_aRoutledge studies in romanticism
505	0		_aChapter One . The men of "real Life": Educating the Reader in Sense and Sensibility -- Chapter Two. "I will prove myself a man": Northanger Abbey -- Chapter Three. "A man violently in love": Pride and Prejudice -- Chapter Four. "You will make him everything": Masculine Redemption in Mansfield Park -- Chapter Five. "A disgrace to the name of man": Emma, the National Tale and the Historical Novel -- Chapter Six. "Feelings glad to burst their usual restraints": Persuasion -- Conclusion: Sanditon, Unfinished Work and New Directions.
520			_a"This book illuminates Jane Austen's exploration of masculinity through the courtship romance genre in the socially, politically and culturally turbulent Romantic era. Austen scrutinises, satirises, censures and ultimately rewrites dominant modes of masculinity through the courtship romance plot between her heroines and male protagonists. This book reveals that Austen pioneers and celebrates a new vision of masculinity that could complement the Romantic desire for agency, individualism and selfhood embodied in her heroines. Rewriting desirable masculinity as an internalised, psychologically complex and authentic gender identity - a model of manhood that drives the ongoing appeal and cultural power of her men in the twenty-first century - Austen explores both the challenges and the opportunities for male selfhood, romantic love and feminine agency. Jane Austen's Men is among the first full-length works to explore Austen's male protagonists as textual constructions of masculinity. Sarah Ailwood reveals the depth of Austen's engagement with her predecessors and contemporaries, including Mary Wollstonecraft, Jane West and Jane Porter, on critical questions of masculinity and its relationship to femininity and narrative form. This book illuminates in new ways Jane Austen's ambitions for the novel, and the political power of the courtship romance genre in the Romantic era." -- _cProvided by publisher.
588			_aOCLC-licensed vendor bibliographic record.
600	1	0	_aAusten, Jane, _d1775-1817 _xCharacters.
600	1	0	_aAusten, Jane, _d1775-1817 _xCriticism and interpretation.
650		0	_aMen in literature.
650		0	_aMasculinity in literature.
650		0	_aCourtship in literature.
650		0	_aRomanticism _zGreat Britain.
650		7	_aLITERARY COLLECTIONS / General _2bisacsh
650		7	_aLITERARY CRITICISM / General _2bisacsh
856	4	0	_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780429316876
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999			_c130404 _d130404