| 000 | 03573cam a2200505 i 4500 | ||
|---|---|---|---|
| 001 | 9780429297946 | ||
| 003 | FlBoTFG | ||
| 005 | 20220509193126.0 | ||
| 006 | m d | | | ||
| 007 | cr ||||||||||| | ||
| 008 | 200707t20212021nyua ob 001 0 eng | ||
| 040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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| 020 |
_a9780429297946 _qelectronic book |
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| 020 |
_a0429297947 _qelectronic book |
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| 020 |
_a9781000264333 _qelectronic book |
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_a1000264335 _qelectronic book |
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_a9781000264210 _qelectronic book |
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_a1000264211 _qelectronic book |
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_a9781000264272 _qelectronic book |
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_a1000264270 _qelectronic book |
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| 020 |
_a9780367272470 _q(electronic bk.) |
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| 020 |
_a0367272474 _q(electronic bk.) |
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| 035 | _a(OCoLC)1164817895 | ||
| 035 | _a(OCoLC-P)1164817895 | ||
| 050 | 0 | 4 |
_aGV1753 _b.M35 2021 |
| 072 | 7 |
_aLAN _x009000 _2bisacsh |
|
| 072 | 7 |
_aCF _2bicssc |
|
| 082 | 0 | 0 |
_a792.8 _223 |
| 100 | 1 |
_aMaiorani, Arianna, _eauthor. |
|
| 245 | 1 | 0 |
_aKinesemiotics : _bmodelling how choreographed movement means in space / _cArianna Maiorani. |
| 264 | 1 |
_aNew York, NY : _bRoutledge, _c2021. |
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| 264 | 4 | _c©2021 | |
| 300 |
_a1 online resource (x, 92 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bn _2rdamedia |
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| 338 |
_aonline resource _bnc _2rdacarrier |
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| 490 | 1 | _aRoutledge studies in multimodality | |
| 505 | 0 | _aIntroduction: what is kinesemiotics? -- How to capture dance discourse? -- Basic concepts in kinesemiotics -- An introduction to manual analysis with the FGD -- The path to automated analysis: a series experiments with the English National Ballet -- Open-ended conclusions. | |
| 520 |
_a"This innovative work introduces the interdisciplinary field of research of kinesemiotics, offering a new adaptable model and means of analysis for understanding forms of movement-based communication, such as dance, that use a codified language shared by a community of users. It begins with a theoretical overview and review of existing literature on the main approaches to movement-based communication, specifically dance, which underpin kinesemiotics as an area of study. It reaffirms previous work which established dance as a form of embodied communication in that it encompasses a wide range of semiotic styles and forms shared by communities of "speakers." In collaboration with the English National Ballet, Maiorani employs the genre of ballet as a means through which to understand and analyze some of the key concepts of kinesemiotics, mainly that of space as a semiotic dimension and "motivated movement," or movement with meaning. Supported by automated movement recognition tools from the fields of bio-robotics engineering and computer science, Maiorani argues for ballet's capacity, when movements are projected into meaningful space, to extend beyond sequences of physical movements to become a meaning making practice. Kinesemiotics advances interdisciplinary research in the fields of social semiotics, media and communication, multimodality, linguistics, and performance studies and will be of particular interest to students and scholars in these areas"-- _cProvided by publisher. |
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| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 650 | 0 |
_aDance _xSemiotics. |
|
| 650 | 0 |
_aKinesiology _xResearch. |
|
| 650 | 7 |
_aLANGUAGE ARTS & DISCIPLINES / Linguistics _2bisacsh |
|
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780429297946 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 999 |
_c130396 _d130396 |
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