000			03296cam a2200541 i 4500
001			9780429269042
003			FlBoTFG
005			20220509193124.0
006			m o d
007			cr |||||||||||
008			200422t20212021enk ob 001 0 eng
040			_aOCoLC-P _beng _erda _cOCoLC-P
020			_a9780429269042 _qelectronic book
020			_a0429269048 _qelectronic book
020			_a9781000088786 _qelectronic book
020			_a1000088782 _qelectronic book
020			_a9781000088823 _qelectronic book
020			_a1000088820 _qelectronic book
020			_a9781000088748 _qelectronic book
020			_a100008874X _qelectronic book
020			_z9780367219642 _qhardcover
035			_a(OCoLC)1152490343
035			_a(OCoLC-P)1152490343
050	0	4	_aPR641 _b.C37 2021
072		7	_aHIS _x000000 _2bisacsh
072		7	_aHBLC1 _2bicssc
082	0	0	_a822/.109 _223
100	1		_aCarpenter, Sarah, _eauthor.
240	0	0	_aEssays. _kSelections
245	1	0	_aEarly performance: courts and audiences : _bshifting paradigms in early English drama studies / _cSarah Carpenter ; edited by John J McGavin and Greg Walker.
264		1	_aAbingdon, Oxon ; _aNew York : _bRoutledge, _c2021.
264		4	_c©2021
300			_a1 online resource (viii, 233 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aVariorum collected studies series
520			_a"These essays of Sarah Carpenter have been selected to reflect her career's close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her central theme through a range of genres, including morality plays, the interlude, court entertainments, international political spectacle, and the public 'performances' of natural and maintained fools. As a scholar who also has experience of acting and of production, Carpenter is particularly sensitive to the implications of location for creating meaning and generating audience reaction. The essays are focused on a relatively short time-span of 120 years, from the late fifteenth to the turn of the seventeenth century, and thus nuance a period traditionally divided between the late medieval and the early-modern, and between Catholicism and Protestantism. Carpenter shows how the dynamics of theatrical engagement in which the roles of audience and performer are frequently mixed or even reversed offer a more creative route to understanding how the individual and society respond to change"-- _cProvided by publisher.
588			_aOCLC-licensed vendor bibliographic record.
650		0	_aEnglish drama _yTo 1500 _xHistory and criticism.
650		0	_aEnglish drama _yEarly modern and Elizabethan, 1500-1600.
650		0	_aTheater _zEngland _xHistory _yMedieval, 500-1500.
650		0	_aTheater _zEngland _xHistory _yTo 1500.
650		7	_aHISTORY / General _2bisacsh
700	1		_aMcGavin, John J., _d1950- _eeditor.
700	1		_aWalker, Greg, _d1959- _eeditor.
856	4	0	_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780429269042
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999			_c130338 _d130338