000			05312cam a2200517 i 4500
001			9781003103004
003			FlBoTFG
005			20220509193108.0
006			m o d
007			cr cnu---unuuu
008			200908s2021 nyua ob 001 0 eng
040			_aOCoLC-P _beng _erda _cOCoLC-P
020			_a9781003103004 _qelectronic book
020			_a1003103006 _qelectronic book
020			_a9781000342598 _qelectronic book
020			_a100034259X _qelectronic book
020			_a9781000342659 _qelectronic book
020			_a1000342654 _qelectronic book
020			_a9781000342628 _q(electronic bk. : Mobipocket)
020			_a100034262X _q(electronic bk. : Mobipocket)
020			_z9780367610371 _qhardcover
020			_z9780367610364 _qpaperback
035			_a(OCoLC)1196820834
035			_a(OCoLC-P)1196820834
050	0	4	_aNA2542.4 _b.R62 2021
072		7	_aARC _x000000 _2bisacsh
072		7	_aARC _x004000 _2bisacsh
072		7	_aARC _x005000 _2bisacsh
072		7	_aAM _2bicssc
082	0	0	_a720.1/03 _223
100	1		_aRobinson, Sarah _c(Architect), _eauthor.
245	1	0	_aArchitecture is a verb / _cSarah Robinson.
264		1	_aNew York, NY : _bRoutledge, _c2021.
300			_a1 online resource (xv, 258 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
520			_a"Architecture is a Verb outlines an approach that shifts the fundamental premises of architectural design and practice in several important ways. First, it acknowledges the centrality of the human organism as an active participant interdependent in its environment. Second, it understands human action in terms of radical embodiment-grounding the range of human activities traditionally attributed to mind and cognition: imagining, thinking, remembering-in the body. Third, it asks what a building does-that is, extends the performative functional interpretation of design to interrogate how buildings move and in turn move us, how they shape thought and action. Finally, it is committed to articulating concrete situations by developing a taxonomy of human/building interactions. Written in engaging prose for students of architecture, interiors and urban design, as well as practising professionals, Sarah Robinson offers richly illustrated practical examples for a new generation of designers"-- _cProvided by publisher.
505	0		_aCover -- Half Title -- Title Page -- Copyright Page -- Contents -- Foreword -- Preface -- Acknowledgements -- 1 Situated Poetics -- Architecture's Resistance -- The Possibility of an Integrated Approach -- Architecture Is a Verb -- Radical Embodiment -- Situated Poetics -- 2 From Vitruvius to the Resonant Body -- From Source to Subject -- Qualitative Measure -- Le Modulor -- No Such Thing as Average -- Situated Bodies -- Space as Medium -- Resonant Bodies -- Sphere Activitatis -- 3 Extended Organisms-Surrogate Bodies -- Philosophy of the Organism -- The Biological and the Physical: Where Do We Draw the Line? -- Extended Organisms -- The Primacy of Movement -- Primordial Techne -- Inhabiting-The Matrix of Habitual Action -- 4 Questioning Perception -- Umwelt and Affordances -- Niche Construction -- Neural Plasticity and Epigenetic Change -- Knowledge Is External -- Reprogramming Sensory Life -- Architectural Affordances -- 5 Constructing Consciousness -- Consciousness Is Rhythmic -- The Natural History of Consciousness -- Art Structures Consciousness -- The Future Enters Through the Work of Art -- Laminated Consciousness -- 6 Taxonomy of Interactions -- Structures of Consciousness -- Archaic Consciousness -- Magic Consciousness -- Mythical Consciousness -- Mental-Rational Consciousness -- Integral Consciousness -- 7 The Primacy of Breathing -- Affirming the Breath -- Empathy and Entrainment -- The Epistemology of the Skin -- Cultures of Breathing -- A Brief Study of Desert Thermal-Cultural Devices -- Resisting -- Touching -- Haptic Perception -- 8 Homo Faber -- Resonating -- Music: A Technology of Bonding -- Buildings as Musical Instruments -- Sound as a Building Material -- Dancing -- Kinesthetic Awareness -- Mechanisms of Mutuality -- Making -- 9 Collective Dreaming -- Imagining -- Complementarity -- Suspension -- Metaphor: Patterning Fields -- Remembering -- Storytelling -- Narrative and Self -- Empathy and Story -- 10 This Lesser, Rebellious Field -- Abstracting -- From Panoptics to Peripheral Vision -- Learning From the Japanese Garden -- Framing -- Thinking -- Improvisation -- Nature of the Medium -- The Bottom-Up/Top-Down Dialectic -- 11 The Soil of the Sensible -- Integration -- Inhabiting -- Eating -- Sleeping -- Being Bored -- Walking -- An Architecture of Moments -- Playing -- Counterforms -- Visceral Urbanism -- Healing -- 12 Fields of Care: Concluding Thoughts -- Taxonomy of Interactions Appendix -- Index.
588			_aOCLC-licensed vendor bibliographic record.
650		0	_aArchitecture _xHuman factors.
650		7	_aARCHITECTURE / General _2bisacsh
650		7	_aARCHITECTURE / Design & Drafting _2bisacsh
650		7	_aARCHITECTURE / History _2bisacsh
856	4	0	_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003103004
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999			_c129731 _d129731