000 04002cam a2200589 i 4500
001 9781003031598
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008 201009t20212021enka ob 001 0 eng
040 _aOCoLC-P
_beng
_erda
_cOCoLC-P
020 _a9781003031598
_qelectronic book
020 _a1003031595
_qelectronic book
020 _a9781000342871
_qelectronic book
020 _a1000342875
_qelectronic book
020 _a9781000342888
_qMobipocket
_qelectronic book
020 _a1000342883
_qMobipocket
_qelectronic book
020 _a9781000342895
_qelectronic book
020 _a1000342891
_qqelectronic book
020 _z9780367468675
_qhardcover
020 _z9780367700072
_qpaperback
024 7 _a10.4324/9781003031598
_2doi
035 _a(OCoLC)1200832289
035 _a(OCoLC-P)1200832289
050 0 0 _aPN1992.8.W65
_bP56 2021
072 7 _aSOC
_x052000
_2bisacsh
072 7 _aSOC
_x032000
_2bisacsh
072 7 _aSOC
_x026000
_2bisacsh
072 7 _aJFDT
_2bicssc
082 0 0 _a791.45/63522
_223
100 1 _aPinedo, Isabel Cristina,
_d1957-
_eauthor.
245 1 0 _aDifficult women on television drama :
_bthe gender politics of complex women in serial narratives /
_cIsabel C. Pinedo.
264 1 _aAbingdon, Oxon ;
_aNew York, NY :
_bRoutledge, Taylor & Francis Group,
_c2021.
264 4 _c©2021
300 _a1 online resource (xii, 190 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aRoutledge advances in television studies
505 0 _aThe Rise of Difficult Women in Serial Narrative Television Drama (2005-2020) -- Economic Inequality and the Working Mother: The Killing in Denmark and the U.S. -- Female Sexual Pleasure and Freedom: Outlander and Westworld -- Violence Against Women and Women Who Kill: Big Little Lies, Orange is the New Black, and Wentworth -- Intersectionality: Beyond the White Female Subject -- Conclusion.
520 _a"Difficult Women on Television Drama analyses select case studies from international TV dramas to examine the unresolved feminist issues they raise or address: equal labor force participation, the demand for sexual pleasure and freedom, opposition to sexual and domestic violence, and the need for intersectional approaches. Drawing on examples from The Killing, Orange is the New Black, Big Little Lies, Wentworth, Outlander, Westworld, Being Mary Jane, Queen Sugar, Vida, and other television dramas with a focus on complex female characters, this book illustrates how female creative control in key production roles (direct authorship) together with industrial imperatives and a conducive cultural context (indirect authorship) are necessary to produce feminist texts. Placed within the larger context of a rise in feminist activism and political participation by women; the growing embrace of a feminist identity; and the ascendance of post-feminism, this book reconsiders the unfinished nature of feminist struggle(s) and suggests the need for a broader sweep of economic change. This book is a must-read for scholars of media and communication studies; television and film studies; cultural studies; sociology of gender and sexualities; women and gender studies; and international film, media and cinema studies"--
_cProvided by publisher.
588 _aOCLC-licensed vendor bibliographic record.
650 0 _aFeminism on television.
650 0 _aWomen on television.
650 0 _aTelevision series
_xHistory
_y21st century.
650 0 _aTelevision broadcasting
_xSocial aspects.
650 7 _aSOCIAL SCIENCE / Media Studies
_2bisacsh
650 7 _aSOCIAL SCIENCE / Gender Studies
_2bisacsh
650 7 _aSOCIAL SCIENCE / Sociology / General
_2bisacsh
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9781003031598
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999 _c129627
_d129627