000			03386nam a2200397Ii 4500
001			9781315109374
008			180727s2018 fluab ob 001 0 eng d
020			_a9781315109374 _q(e-book : PDF)
035			_a(OCoLC)1040592503
040			_aFlBoTFG _cFlBoTFG _erda
050		4	_aML3916 _b.T46 2018
072		7	_aMUS _x015000 _2bisacsh
072		7	_aSOC _x026000 _2bisacsh
072		7	_aVFJD _2bicscc
082	0	4	_a780.87 _223
100	1		_aTéllez Vargas, Alejandro Alberto, _eauthor.
245	1	0	_aDisability and music performance / _cby Alejandro Alberto Téllez Vargas.
250			_aFirst edition.
264		1	_aBoca Raton, FL : _bRoutledge, an imprint of Taylor and Francis, _c2018.
300			_a1 online resource (194 pages) : _b43 illustrations.
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aInterdisciplinary disability studies
505	0		_achapter Introduction -- chapter 1 Historical intersections between disability and music performance -- chapter 2 Ableism in the socio-musical organisation -- chapter 3 Iconography of performers with disabilities -- chapter 4 The visual aspects of disability in piano performance -- chapter 5 Overcoming narratives and piano performance -- chapter 6 Ageing and music performance -- chapter 7 Disability identity in music performance.
520	3		_aDisability and Music Performance examines discriminatory social practices in music conservatoria, orchestras, music festivals and music competitions, which limit disabled people’s access to music performance at a professional level. Of particular interest are the disabling barriers that musicians with an intellectual, physical, sensory or neurological disability—or an acquired brain injury—encounter in the world of Western classical music, both as students and as professional performers. This book collects data in the form of semi-structured interviews andvideo and audio recordings to explore the voice, concerns and suggestions expressed by musicians with disabilities. It examines their perceptions of both inclusive and discriminatory practices in music institutions as well as the representation of, and audio-visual recordings by, key musical figures with disabilities. Its findings aim to contribute to the wellbeing of musicians with impairments by challenging disabling social practices that see them as inferior.This publication offers performers, teachers and researchers new perspectives for exploring some of the most common social dynamics in encounters between normative audiences, musicians and music critics, and musicians with disabilities. It invites the reader to recognise disability as a rightful identity category in music performance and to dismantle the disabling barriers that limit the participation of disabled people in music-making.
650		7	_aMUSIC / Genres & Styles / Classical. _2bisacsh
650		7	_aMUSIC / Reference. _2bisacsh
650		7	_aSOCIAL SCIENCE / Sociology / General. _2bisacsh
650		0	_aDiscrimination against people with disabilities.
650		0	_aMusic _xPerformance.
650		0	_aMusicians with disabilities.
710	2		_aTaylor and Francis.
776	0	8	_iPrint version: _z9781138089150 _w(DLC) 2018007375
830		0	_aInterdisciplinary disability studies.
856	4	0	_uhttps://www.taylorfrancis.com/books/9781315109374 _zClick here to view.
999			_c128830 _d128830