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001 9781003100096
003 FlBoTFG
005 20220509193037.0
006 m o d
007 cr |n|||||||||
008 201016t20212021enk o 000 0 eng d
040 _aOCoLC-P
_beng
_erda
_cOCoLC-P
020 _a1000206440
_qelectronic book
020 _a9781000206463
_qelectronic book
020 _a1000206467
_qelectronic book
020 _a9781000206456
_qelectronic book
020 _a1000206459
_qelectronic book
020 _a9781003100096
_qelectronic book
020 _a1003100090
_qelectronic book
020 _a9781000206449
_q(electronic bk.)
020 _z0367151405
020 _z9780367151409
035 _a(OCoLC)1200494908
035 _a(OCoLC-P)1200494908
050 4 _aML390
_b.S96 2021
072 7 _aMUS
_x000000
_2bisacsh
072 7 _aAVG
_2bicssc
082 0 4 _a780.92294
_223
100 1 _aSymons, David
_q(David J.),
_eauthor.
245 1 0 _aAustralia's Jindyworobak composers /
_cDavid Symons.
264 1 _aAbingdon, Oxon ;
_aNew York, NY :
_bRoutledge,
_c2021.
264 4 _c©2021
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aRoutledge research in music series
520 _aAustralia's Jindyworobak Composers examines the music of a historically and artistically significant group of Australian composers active during the later post-colonial period (1930s-c. 1960). These composers sought to establish a uniquely Australian identity through the evocation of the country's landscape and environment, including notably the use of Aboriginal elements or imagery in their music, texts, dramatic scenarios or programmes'. Nevertheless, it must be observed that this word was originally adopted as a manifesto for an Australian literary movement, and was, for the most part, only retrospectively applied by commentators (rather than the composers themselves) to art music that was seen to share similar aesthetic aims. Chapter One demonstrates to what extent a meaningful relationship may or may not be discernible between the artistic tenets of Jindyworobak writers and apparently likeminded composers. In doing so, it establishes the context for a full exploration of the music of Australian composers to whom Jindyworobak' has come to be popularly applied. The following chapters explore the music of composers writing within the Jindyworobak period itself and, finally, the later twentieth-century afterlife of Jindyworobakism. This will be of particular interest to scholars and researchers of Ethnomusicology, Australian Music and Music History.
588 _aOCLC-licensed vendor bibliographic record.
650 0 _aComposers
_zAustralia
_xHistory
_y20th century.
650 0 _aMusic
_xSocial aspects
_zAustralia.
650 0 _aNational characteristics, Australian.
650 0 _aArt and music
_zAustralia.
650 0 _aMusic and literature
_zAustralia.
650 7 _aMUSIC / General
_2bisacsh
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9781003100096
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999 _c128753
_d128753