| 000 | 03239cam a2200529Ki 4500 | ||
|---|---|---|---|
| 001 | 9781003100096 | ||
| 003 | FlBoTFG | ||
| 005 | 20220509193037.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 201016t20212021enk o 000 0 eng d | ||
| 040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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| 020 |
_a1000206440 _qelectronic book |
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| 020 |
_a9781000206463 _qelectronic book |
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| 020 |
_a1000206467 _qelectronic book |
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| 020 |
_a9781000206456 _qelectronic book |
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| 020 |
_a1000206459 _qelectronic book |
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| 020 |
_a9781003100096 _qelectronic book |
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| 020 |
_a1003100090 _qelectronic book |
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| 020 |
_a9781000206449 _q(electronic bk.) |
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| 020 | _z0367151405 | ||
| 020 | _z9780367151409 | ||
| 035 | _a(OCoLC)1200494908 | ||
| 035 | _a(OCoLC-P)1200494908 | ||
| 050 | 4 |
_aML390 _b.S96 2021 |
|
| 072 | 7 |
_aMUS _x000000 _2bisacsh |
|
| 072 | 7 |
_aAVG _2bicssc |
|
| 082 | 0 | 4 |
_a780.92294 _223 |
| 100 | 1 |
_aSymons, David _q(David J.), _eauthor. |
|
| 245 | 1 | 0 |
_aAustralia's Jindyworobak composers / _cDavid Symons. |
| 264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2021. |
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| 264 | 4 | _c©2021 | |
| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aRoutledge research in music series | |
| 520 | _aAustralia's Jindyworobak Composers examines the music of a historically and artistically significant group of Australian composers active during the later post-colonial period (1930s-c. 1960). These composers sought to establish a uniquely Australian identity through the evocation of the country's landscape and environment, including notably the use of Aboriginal elements or imagery in their music, texts, dramatic scenarios or programmes'. Nevertheless, it must be observed that this word was originally adopted as a manifesto for an Australian literary movement, and was, for the most part, only retrospectively applied by commentators (rather than the composers themselves) to art music that was seen to share similar aesthetic aims. Chapter One demonstrates to what extent a meaningful relationship may or may not be discernible between the artistic tenets of Jindyworobak writers and apparently likeminded composers. In doing so, it establishes the context for a full exploration of the music of Australian composers to whom Jindyworobak' has come to be popularly applied. The following chapters explore the music of composers writing within the Jindyworobak period itself and, finally, the later twentieth-century afterlife of Jindyworobakism. This will be of particular interest to scholars and researchers of Ethnomusicology, Australian Music and Music History. | ||
| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 650 | 0 |
_aComposers _zAustralia _xHistory _y20th century. |
|
| 650 | 0 |
_aMusic _xSocial aspects _zAustralia. |
|
| 650 | 0 | _aNational characteristics, Australian. | |
| 650 | 0 |
_aArt and music _zAustralia. |
|
| 650 | 0 |
_aMusic and literature _zAustralia. |
|
| 650 | 7 |
_aMUSIC / General _2bisacsh |
|
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003100096 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 999 |
_c128753 _d128753 |
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