| 000 | 03729cam a2200613Ki 4500 | ||
|---|---|---|---|
| 001 | 9781003083009 | ||
| 003 | FlBoTFG | ||
| 005 | 20220509193035.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 200603s2021 enka gob 000 0 eng d | ||
| 040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
||
| 020 |
_a9781003083009 _q(electronic bk.) |
||
| 020 |
_a1003083005 _q(electronic bk.) |
||
| 020 |
_a9781000167443 _q(electronic bk. : PDF) |
||
| 020 |
_a1000167445 _q(electronic bk. : PDF) |
||
| 020 |
_a9781000167528 _q(electronic bk. : Mobipocket) |
||
| 020 |
_a1000167526 _q(electronic bk. : Mobipocket) |
||
| 020 |
_a9781000167603 _q(electronic bk. : EPUB) |
||
| 020 |
_a1000167607 _q(electronic bk. : EPUB) |
||
| 020 | _z0367902850 | ||
| 020 | _z9780367902858 | ||
| 035 |
_a(OCoLC)1164385930 _z(OCoLC)1162383346 _z(OCoLC)1163529531 _z(OCoLC)1194874201 |
||
| 035 | _a(OCoLC-P)1164385930 | ||
| 050 | 4 | _aK1443.D37 | |
| 072 | 7 |
_aLAW _x000000 _2bisacsh |
|
| 072 | 7 |
_aLNR _2bicssc |
|
| 082 | 0 | 4 |
_a346.048/2 _223 |
| 100 | 1 |
_aWarner, Julian, _d1955- _eauthor. |
|
| 245 | 1 | 0 |
_aCopyright, data and creativity in the digital age : _ba journey through Feist / _cJulian Warner. |
| 250 | _aFirst edition. | ||
| 264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2021. |
|
| 300 |
_a1 online resource : _billustrations (black and white) |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 490 | 1 | _aRoutledge research in intellectual property | |
| 505 | 0 | _aIntroduction : the convergence of the twain -- Critiques of the decision -- Creativity in the decision : into the briar patch -- Creativity utterly lacking : through the Wicket Gate -- Correlation : the key to Doubting Castle -- Creativity : out of the labyrinth -- A minimal degree of creativity -- Originality : Odysseus -- Qualities as reading -- Conclusion : the interaction of the twain. | |
| 520 | _aThe Supreme Court of the United States in Feist v. Rural (1991) required that databases must have a minimal degree of creativity for copyright. The judgment was highly significant and the subsequent period is understood as the post-Feist era. It has been globally influential. However, the decision is extremely complex and remains unsatisfactorily interpreted. In particular, it has been impossible to illuminate the creativity requirement. The book gives an account of the decision's conceptual structure, focusing on its full delineation of the opposite to creativity. In a radical and unprecedented innovation, it is correlated with an automatic computational process. Creativity itself is understood as non-computational or directly human activity concerned with meaning. Determining the presence of creativity is reduced to a four-stage test. This work then has acute practical current relevance to property in data in the digital age; it will also be of theoretical interest to, andis aimed at, researchers in, practitioners, and studentsof intellectual property worldwide. | ||
| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 650 | 0 |
_aCopyright _xDatabases. |
|
| 650 | 0 | _aCopyright infringement. | |
| 650 | 0 | _aCreation (Literary, artistic, etc.) | |
| 650 | 0 |
_aCopyright infringement _zUnited States. |
|
| 650 | 0 |
_aCopyright _xDatabases _zUnited States. |
|
| 650 | 0 | _aChronic pain. | |
| 650 | 0 | _aIntellectual property. | |
| 650 | 0 | _aPalliative treatment. | |
| 650 | 0 |
_aPain _xTreatment. |
|
| 650 | 0 | _aPain clinics. | |
| 650 | 0 | _aHealth. | |
| 650 | 7 |
_aLAW / General _2bisacsh |
|
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003083009 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 999 |
_c128714 _d128714 |
||