| 000 | 03017cam a22005298i 4500 | ||
|---|---|---|---|
| 001 | 9781003153573 | ||
| 003 | FlBoTFG | ||
| 005 | 20220509193004.0 | ||
| 006 | m d | | | ||
| 007 | cr ||||||||||| | ||
| 008 | 201107s2021 enk obq 001 0 eng | ||
| 040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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| 020 |
_a9781003153573 _q(ebook) |
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| 020 | _a1003153577 | ||
| 020 |
_a9781000379419 _q(electronic bk. : EPUB) |
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| 020 |
_a1000379418 _q(electronic bk. : EPUB) |
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| 020 |
_a9781000379402 _q(electronic bk. : PDF) |
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| 020 |
_a100037940X _q(electronic bk. : PDF) |
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| 020 |
_z9780367721336 _q(hardback) |
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| 035 | _a(OCoLC)1226076079 | ||
| 035 | _a(OCoLC-P)1226076079 | ||
| 050 | 0 | 0 | _aPN1995.9.F56 |
| 072 | 7 |
_aSOC _x052000 _2bisacsh |
|
| 072 | 7 |
_aPER _x004000 _2bisacsh |
|
| 072 | 7 |
_aPER _x004030 _2bisacsh |
|
| 072 | 7 |
_aJFD _2bicssc |
|
| 082 | 0 | 0 |
_a791.43/653 _223 |
| 100 | 1 |
_aGordejuela, Adriana, _d1989- _eauthor. |
|
| 245 | 1 | 0 |
_aFlashbacks in film : _ba cognitive and multimodal analysis / _cAdriana Gordejuela. |
| 264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2021. |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bn _2rdamedia |
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| 338 |
_aonline resource _bnc _2rdacarrier |
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| 505 | 0 | _aIntroduction: A cognitive approach to film -- Flashbacks in film -- Blended joint attention -- Viewpoint compression -- Time compression -- The whole picture. | |
| 520 |
_a"This book examines film flashback as a rich multimodal narrative device, analyzing the cognitive underpinnings of film flashbacks and the mechanisms that lead viewers to successfully comprehend them. Combining a cognitive film theory approach with the theoretical framework proposed by Blending Theory, which claims that human beings' general ability for conceptual integration underlies most of our daily activities, this book argues that flashbacks make sense to the viewer as they are specifically designed for the viewer's cognitive understanding. Through a mixture of analysis and dozens of case studies, this book demonstrates that successful film flashbacks appeal to the spectator's natural perceptual and cognitive abilities, which spectators exercise daily. This book will serve as a valuable resource for scholars interested in film studies, media studies, and cognitive linguistics"-- _cProvided by publisher. |
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| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 650 | 0 | _aFlashbacks. | |
| 650 | 0 | _aMemory in motion pictures. | |
| 650 | 0 | _aMotion pictures and language. | |
| 650 | 0 |
_aMotion pictures _xPsychological aspects. |
|
| 650 | 0 |
_aMotion picture audiences _xPsychology. |
|
| 650 | 7 |
_aSOCIAL SCIENCE / Media Studies _2bisacsh |
|
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General _2bisacsh |
|
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / History & Criticism _2bisacsh |
|
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003153573 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 999 |
_c127795 _d127795 |
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