000			05511cam a2200505Ki 4500
001			9781003099789
003			FlBoTFG
005			20220509193002.0
006			m o d
007			cr |n|||||||||
008			200929s2021 nyu ob 000 0 eng d
040			_aOCoLC-P _beng _cOCoLC-P
020			_a9781000206067 _q(electronic bk.)
020			_a1000206068 _q(electronic bk.)
020			_a9781003099789 _q(electronic bk.)
020			_a1003099785 _q(electronic bk.)
020			_a9781000206036 _q(electronic bk. : Mobipocket)
020			_a1000206033 _q(electronic bk. : Mobipocket)
020			_a9781000206005 _q(electronic bk. : PDF)
020			_a1000206009 _q(electronic bk. : PDF)
020			_z0367568861
020			_z9780367568863
035			_a(OCoLC)1198018192 _z(OCoLC)1197865890
035			_a(OCoLC-P)1198018192
050		4	_aPR2971.E85
072		7	_aLIT _x000000 _2bisacsh
072		7	_aDDS _2bicssc
082	0	4	_a822.33 _223
100	1		_aSen, Suddhaseel.
245	1	0	_aShakespeare in the world _h[electronic resource] : _bcross-cultural adaptation in Europe and colonial India, 1850-1900 / _cSuddhaseel Sen.
260			_aNew York, NY ; _aAbingdon, Oxon : _bRoutledge, Taylor & Francis Group, _c2021.
300			_a1 online resource.
490	1		_aRoutledge studies in Shakespeare
520			_aShakespeare in the World traces the reception histories and adaptations of Shakespeare in the nineteenth century, when his works became well-known to non-Anglophone communities in both Europe and colonial India. Sen provides thorough and searching examinations of nineteenth-century theatrical, operatic, novelistic, and prose adaptations that are still read and performed, in order to argue that, crucial to the transmission and appeal of Shakespeare's plays were the adaptations they generated in a wide range of media. These adaptations, in turn, made the absorption of the plays into different "national" cultural traditions possible, contributing to the development of "nationalist cosmopolitanisms" in the receiving cultures. Sen challenges the customary reading of Shakespeare reception in terms of "hegemony" and "mimicry," showing instead important parallels in the practices of Shakespeare adaptation in Europe and colonial India. Shakespeare in the World strikes a fine balance between the Bard's iconicity and his colonial and post-colonial afterlives, and is an important contribution to Shakespeare studies.
505	0		_aCover -- Half Title -- Series -- Title -- Copyright -- Contents -- List of Musical Examples -- Acknowledgements -- Preliminary Notes -- Introduction -- Shakespeare's Reception in Non-Anglophone Cultures: Analytical Paradigms -- Theorising Shakespeare Reception Relationally -- Shakespeare and "Nationalist Cosmopolitanism" -- Adaptation Theory and Cross-Cultural Receptions of Shakespeare -- The Case Studies: Patterns and Interconnections -- Part 1 -- 1 Shakespeare Reception in France: Ambroise Thomas's Hamlet and Its Intertexts -- Introduction
505	8		_aShakespeare's Hamlet: Texts and Performances up to the Nineteenth Century -- Hamlet in France: From Ducis to Dumas and Meurice -- Thomas's Hamlet as Opéra Lyrique -- The Operatic Ophélie -- The Afterlife of Thomas's Hamlet -- 2 Nationalism and Aesthetic Self-Fashioning: Giuseppe Verdi's Otello -- Introduction -- Jealousy and Vengeance in Othello and Otello (i): Racial Discourses -- Jealousy and Vengeance in Othello and Otello (ii): Religious Discourses -- Jealousy and Vengeance in Othello and Otello (iii): The Pressures of Patriarchy
505	8		_aVerdi's Musical Choices and the Subversion of Racial Stereotypes regarding Jealousy -- Conclusion -- Part 2 -- 3 Challenging the Civilising Mission: Responses to The Tempest by Bankimchandra Chatterjee and Rabindranath Tagore -- Introduction -- Bankim and Bengali Literature After 1857 -- Bankim's Life and Literary Career -- Kapālakunalā: Plot and Intertexts -- The Tempest, Kapālakunalā, and Women in Nineteenth-Century Bengal (i): A Historical Perspective -- The Tempest, Kapālakunalā, and Women in Nineteenth-Century Bengal (ii): A Symbolic Perspective
505	8		_aBankim, Tagore, and the Reception History of The Tempest -- 4 Two Contrasting Cases of Transculturation of Shakespeare From Nineteenth-Century Bengal: Ishwarchandra Vidyasagar's Bhrāntivilās and Girishchandra Ghosh's Macbeth -- Introduction -- Part I: Vidyasagar's Bhrāntivilās -- Life and Times of Ishwarchandra Vidyasagar -- Rereading The Comedy of Errors: Bhrāntivilās and Its Intertexts -- Bhrāntivilās and Feminist Readings of Errors -- Part II: Girishchandra Ghosh's Macbeth -- The Life and Career of Girishchandra Ghosh -- Girishchandra Ghosh's Macbeth: A Case of Colonial Mimicry? -- Conclusion
505	8		_aConclusion -- Adaptation Studies: Synchronic and Diachronic Approaches -- Nationalist Cosmopolitanism and Post-Colonial Mimicry -- Cross-Cultural Shakespeare and New Analytical Frameworks -- Appendix 1 "Imitation" -- Appendix 2 "Śakuntalā, Miranda, and Desdemona" -- References -- Index
588			_aOCLC-licensed vendor bibliographic record.
600	1	0	_aShakespeare, William, _d1564-1616 _xAppreciation _zEurope.
600	1	0	_aShakespeare, William, _d1564-1616 _xAppreciation _zIndia.
650		7	_aLITERARY CRITICISM / General _2bisacsh
856	4	0	_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003099789
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999			_c127741 _d127741