000			03293cam a2200481 i 4500
001			9781003044345
003			FlBoTFG
005			20220509193000.0
006			m o d
007			cr cnu---unuuu
008			200603t20212021nyuab ob 001 0 eng
040			_aOCoLC-P _beng _erda _cOCoLC-P
020			_a9781003044345 _qelectronic book
020			_a1003044344 _qelectronic book
020			_a9781000180237 _qelectronic book _qEPUB
020			_a1000180239 _qelectronic book _qEPUB
020			_a9781000180176 _qelectronic book
020			_a1000180174 _qelectronic book
020			_z9780367490737 _qhardcover
035			_a(OCoLC)1158506144
035			_a(OCoLC-P)1158506144
050	0	4	_aN6490 _b.C65667 2021
072		7	_aART _x015110 _2bisacsh
072		7	_aAB _2bicssc
082	0	0	_a709.04 _223
245	0	0	_aContemporary art and capitalist modernization : _ba transregional perspective / _cedited by Octavian Esanu.
264		1	_aNew York, NY : _bRoutledge, _c2021.
264		4	_c©2021
300			_a1 online resource (xv, 287 pages) : _billustrations, maps.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aRoutledge advances in art and visual studies
505	2		_aTowards a historical understanding of post-Soviet presentism / Angela Harutyunyan -- Rabinec Studio : the commodification of art in late socialist Hungary, 1982-83 / Kristóf Nagyart -- Al-Nitaq festival of art, Cairo 2000 and 2001 / Dina A. Mohamed.
520			_a"This book addresses the art historical category of "contemporary art" from a transregional perspective, but unlike other volumes of its kind, it focuses in on non-Western instantiations of "the contemporary." The book concerns itself with the historical conditions in which a radically new mode of artistic production, distribution, and consumption - called "contemporary art" - emerged in some countries of Eastern Europe, the post-Soviet republics of the USSR, India, Latin America, and the Middle East, following both local and broader sociopolitical processes of modernization and neoliberalization. Its main argument is that one cannot fully engage with the idea of the "global contemporary" without also paying careful attention to the particular, local, and/or national symptoms of the contemporary condition. Part One is methodological and theoretical in scope, while Part Two is historical and documentary. For the latter, a number of case studies address the emergence of the category "contemporary art" in the context of Lebanon, Egypt, India, Hungary, Slovenia, Croatia, Bosnia and Herzegovina, Armenia, and Moldova. The book will be of interest to scholars working in art history, globalism, cultural studies, and postcolonial studies"-- _cProvided by publisher.
588			_aOCLC-licensed vendor bibliographic record.
650		0	_aArt, Modern _y20th century.
650		0	_aArt and society _xHistory _y20th century.
650		0	_aRegionalism and the arts.
650		7	_aART / History / Contemporary (1945-) _2bisacsh
700	1		_aEsanu, Octavian, _eeditor.
856	4	0	_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003044345
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999			_c127669 _d127669