| 000 | 03048cam a2200481Mu 4500 | ||
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| 001 | 9780429468674 | ||
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| 005 | 20220509192956.0 | ||
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| 008 | 191102s2019 enk o 000 0 eng d | ||
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_aOCoLC-P _beng _cOCoLC-P |
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| 020 | _a9780429888472 | ||
| 020 | _a9780429468674 | ||
| 020 | _a0429468679 | ||
| 020 | _a0429888473 | ||
| 020 |
_a9781351680516 _q(electronic bk. : PDF) |
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| 020 |
_a135168051X _q(electronic bk. : PDF) |
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| 020 |
_a9780429888380 _q(electronic bk. : Mobipocket) |
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| 020 |
_a0429888384 _q(electronic bk. : Mobipocket) |
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| 020 | _z1138604127 | ||
| 020 | _z9781138604124 | ||
| 035 |
_a(OCoLC)1126215032 _z(OCoLC)1125998988 |
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| 035 | _a(OCoLC-P)1126215032 | ||
| 050 | 4 | _aAM7 | |
| 072 | 7 |
_aART _x059000 _2bisacsh |
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| 072 | 7 |
_aGM _2bicssc |
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| 082 | 0 | 4 |
_a069 _223 |
| 100 | 1 | _aFranklin, Adrian. | |
| 245 | 1 | 0 |
_aAnti-Museum _h[electronic resource] / _cby Adrian Franklin. |
| 260 |
_aMilton : _bRoutledge, _c2019. |
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| 300 | _a1 online resource (125 pages). | ||
| 336 |
_atext _2rdacontent |
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| 337 |
_acomputer _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 | _aMuseums in Focus Ser. | |
| 500 | _aDescription based upon print version of record. | ||
| 505 | 0 | _aCover Page; Half Title Page; Series Page; Title Page; Copyright Page; Dedication; Table of Contents; List of figures; Acknowledgements; 1 Introduction: anti-museum -- imagining the unthinkable; 2 Collection de l'Art Brut, Lausanne; 3 Donald Judd's Marfa: state of dialogue; 4 New York, New York: PS1 and the New Museum; 5 Mona (Museum of Old and New Art), Hobart; 6 Art42, Paris; 7 Conclusion: the art of museums beyond convention; References; Index | |
| 520 | _aAnti-Museum charts the development of the anti-museum as a concept and as it has been realised in practice. Drawing on a range of case studies, including the New Museum and PS1 in New York, Mona in Australia, Art42 in Paris and Donald Judd's Marfa, the book assesses their potential to engage museum publics in new ways. Anti-museums seek to breathe relational and theatricalised vitality into the objects they exhibit, by connecting them to the contexts of their making, to their social life outside the museum, to visitors' lives via their transformative capacities for change, and by being a place of dialogue, exchange and transformation, rather than instruction. Documenting the ways in which they have been created by artists, collectors, and curators, the book also examines the extent to which anti-museums connect with other museums through the exchange of values and resources. Critically, it asks whether, after some 40 years of 'new museology', such institutions are still able to offer something fresh and valuable. | ||
| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 650 | 0 | _aMuseums. | |
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780429468674 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 999 |
_c127546 _d127546 |
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