000			04525cam a2200541 i 4500
001			9781003152538
003			FlBoTFG
005			20220509192930.0
006			m d u
007			cr |||||||||||
008			201015t20212021nyua ob 001 0 eng
040			_aOCoLC-P _beng _erda _cOCoLC-P
020			_a9781000352535 _qelectronic book
020			_a1000352536 _qelectronic book
020			_a9781003152538 _qelectronic book
020			_a1003152538 _qelectronic book
020			_a9781000352559 _q(electronic bk. : Mobipocket)
020			_a1000352552 _q(electronic bk. : Mobipocket)
020			_a9781000352573 _q(electronic bk. : EPUB)
020			_a1000352579 _q(electronic bk. : EPUB)
020			_z9780367715465 _qhardcover
035			_a(OCoLC)1202730373
035			_a(OCoLC-P)1202730373
050	0	4	_aPR3091 _b.S675 2021
072		7	_aLCO _x000000 _2bisacsh
072		7	_aLIT _x000000 _2bisacsh
072		7	_aDS _2bicssc
082	0	0	_a822.3/3 _223
245	0	0	_aShakespeare's audiences / _cedited by Matteo Pangallo and Peter Kirwan.
264		1	_aNew York, NY : _bRoutledge, _c2021.
264		4	_c©2021
300			_a1 online resource (xiii, 234 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aRoutledge studies in Shakespeare
505	0		_aRespiratory sympathy and pneumatic community in Shakespeare / Stephanie Shirilan -- Recovering the humoral body through original practice performance / Joe Falocco -- Haptic experience and fluid boundaries : Macbeth and Czech nationalism at Český Krumlov's Revolving Theater / Jennifer A. Low -- The most lamentable Romaine Tragedie of Titus Andronicus and audiences from the Inns of Court / Romola Nuttall -- 'Cleave the general ear' : Shakespeare and the cultural bias of early American radio / Miles Drawdy -- Indian Shakespeare cinema and the active audience / Koel Chatterjee -- Gender, aura, and the close-up : broadcasting Shakespeare for female audiences / Pascale Aebischer -- Shakespeare's riotous audiences : Macbeth at Astor Place, 1849 / Edel Lamb -- 'How novelty may move' : play and the boundaries of the play in the New York Shakespeare Festival's Mobile Theatre / Adam Sheaffer -- Imagined theater : why fan audiences matter / Louise Geddes -- 'A vulgar comment will be made of it' : YouTube and Robert Weimann's Platea / Valerie M. Fazel -- Shakespeare's digital school audience : agency and control in the reception of an RSC Schools' Broadcast / Rachael Nicholas -- For everybody : casting, race, and audience engagement in the Public Theater's Mobile Unit.
520			_a"Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare's audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare's plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The essays in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare's audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare's audiences as well as a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance"-- _cProvided by publisher.
588			_aOCLC-licensed vendor bibliographic record.
600	1	0	_aShakespeare, William, _d1564-1616 _xDramatic production.
600	1	0	_aShakespeare, William, _d1564-1616 _xStage history.
650		0	_aTheater audiences _xPsychology.
650		7	_aLITERARY COLLECTIONS / General _2bisacsh
650		7	_aLITERARY CRITICISM / General _2bisacsh
700	1		_aPangallo, Matteo A., _eeditor.
700	1		_aKirwan, Peter, _eeditor.
856	4	0	_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003152538
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999			_c126779 _d126779