| 000 | 03565cam a2200589 i 4500 | ||
|---|---|---|---|
| 001 | 9781003044772 | ||
| 003 | FlBoTFG | ||
| 005 | 20220509192926.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 200527t20212021enka ob 001 0 eng | ||
| 040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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| 020 |
_a9781003044772 _qelectronic book |
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| 020 |
_a1003044778 _qelectronic book |
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| 020 |
_a9781000201352 _qelectronic book |
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| 020 |
_a100020135X _qelectronic book |
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| 020 |
_a9781000201253 _qelectronic book |
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| 020 |
_a1000201252 _qelectronic book |
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| 020 |
_a9781000201307 _qelectronic book |
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| 020 |
_a1000201309 _qelectronic book |
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| 020 |
_z9780367491482 _qhardcover |
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| 020 |
_z9780367491475 _qpaperback |
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| 024 | 7 |
_a10.4324/9781003044772 _2doi |
|
| 035 | _a(OCoLC)1156413255 | ||
| 035 | _a(OCoLC-P)1156413255 | ||
| 050 | 0 | 4 |
_aPN1995 _b.E9825 2021 |
| 072 | 7 |
_aPER _x004000 _2bisacsh |
|
| 072 | 7 |
_aPER _x010000 _2bisacsh |
|
| 072 | 7 |
_aSOC _x052000 _2bisacsh |
|
| 072 | 7 |
_aJFD _2bicssc |
|
| 082 | 0 | 0 |
_a791.4301 _223 |
| 245 | 0 | 0 |
_aExploring seriality on screen : _baudiovisual narratives in film and television / _cedited by Ariane Hudelet and Anne Crémieux. |
| 264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2021. |
|
| 264 | 4 | _c©2021 | |
| 300 |
_a1 online resource (xiv, 269 pages) : _billustrations. |
||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bn _2rdamedia |
||
| 338 |
_aonline resource _bnc _2rdacarrier |
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| 490 | 1 | _aRoutledge research in cultural and media studies | |
| 520 |
_a"This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual narratives (cinematic films and television series) in the 20th and 21st centuries. The book historicizes and contextualizes the notion of seriality, combining narratological, aesthetic, industrial, philosophical, and political perspectives, showing how seriality as a paradigm informs media convergence and resides at the core of cinema and television history. By associating theoretical considerations and close readings of specific works, as well as diachronic and synchronic approaches, this volume offers a complex panorama of issues related to seriality including audience engagement, intertextuality and transmediality, cultural legitimacy, authorship, and medium specificity in remakes, adaptations, sequels, and reboots. Written by a team of international scholars, this book highlights a diversity of methodologies that will be of interest to scholars and doctoral students across disciplinary areas such as media studies, film studies, literature, aesthetics, and cultural studies. It will also interest students attending classes on serial audiovisual narratives and will appeal to fans of the series it addresses, such as Fargo, Twin Peaks, The Hunger Games, Bates Motel, and Sherlock"-- _cProvided by publisher. |
||
| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 650 | 0 |
_aMotion pictures _xPhilosophy. |
|
| 650 | 0 |
_aMotion pictures _xHistory. |
|
| 650 | 0 |
_aTelevision series _xHistory and criticism. |
|
| 650 | 0 | _aNarration (Rhetoric) | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General _2bisacsh |
|
| 650 | 7 |
_aPERFORMING ARTS / Television / General _2bisacsh |
|
| 650 | 7 |
_aSOCIAL SCIENCE / Media Studies _2bisacsh |
|
| 700 | 1 |
_aHudelet, Ariane, _d1975- _eeditor. |
|
| 700 | 1 |
_aCrémieux, Anne, _eeditor. |
|
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003044772 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 999 |
_c126648 _d126648 |
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