000			04283cam a2200613Ii 4500
001			9781003024217
003			FlBoTFG
005			20220509192924.0
006			m d
007			cr |||||||||||
008			201229s2021 xx a eo 000 0 eng d
040			_aOCoLC-P _beng _cOCoLC-P
020			_a9781000352511 _q(EPUB)
020			_a100035251X _q(EPUB)
020			_a9781003024217 _q(electronic bk.)
020			_a1003024211 _q(electronic bk.)
020			_a9781000352504 _q(electronic bk. : Mobipocket)
020			_a1000352501 _q(electronic bk. : Mobipocket)
020			_a9781000352498 _q(electronic bk. : PDF)
020			_a1000352498 _q(electronic bk. : PDF)
024	7		_a10.4324/9781003024217 _2doi
035			_a(OCoLC)1232663973
035			_a(OCoLC-P)1232663973
050		4	_aPN1995.9.D777
072		7	_aSOC _x052000 _2bisacsh
072		7	_aSOC _x022000 _2bisacsh
072		7	_aSOC _x044000 _2bisacsh
072		7	_aJFDT _2bicssc
082	0	4	_a791.43/6556 _223
100	1		_aAlbarrán-Torres, César, _eauthor.
245	1	0	_aGlobal Trafficking Networks on Film and Television : _bHollywood's Cartel Wars / _cCésar Albarrán-Torres.
250			_a1st.
264		1	_bRoutledge, _c2021.
300			_a1 online resource (176 pages) : _billustrations.
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aRoutledge Advances in Television Studies
505	0		_aIntroduction. Cartel media Chapter 1. How Touch of Evil set the rules for Hollywood cartel cinema Chapter 2. Cartel westerns: The new frontier (South of the border) Chapter 3. From Weeds to Ozark : The suburbs, threatened Chapter 4. Queen of the South : Doing linguistic mish-mash and 'Mexican face' Chapter 5. Walter White and the use of Brown bodies in Breaking Bad ; Chapter 6. The Sicario saga and chromatic othering Chapter 7. Netflix's Narcos : Cartel media in the age of digital distribution Chapter 8. "El Chapo" gets the Netflix treatment: Theorising cartel mythologies Postscript. Cartel media beyond Hollywood
520			_aThis book draws on a multi-method study of film and television narratives of global criminal networks to explore the links between audiovisual media, criminal networks and global audiences in the age of digital content distribution. Mapping out media representations of the ongoing war on drugs in Mexico and the United States, the author delves into the social, cultural and geopolitical impacts of distribution and consumption of these media. With a particular emphasis on the globalized Mexican cartels, this book investigates three areas - gender and racial representation in film and television, the digital distribution of content through the internet and streaming services such as Hulu and Netflix, and depictions of extreme violence in film, television and online spaces - to identify whether there are fundamental similarities and differences in how Hollywood productions reproduce stereotypes about race, gender and extreme violence. Some of the movies and television series analysed are Breaking Bad, Ozark, Weeds, Rambo: Last Blood, No Country for Old Men, Sicario and the Netflix series Narcos, Narcos: Mexico and El Chapo. Taking a unique interdisciplinary approach to the study of cartels in the media, this book will be of interest to students and scholars of media studies, film, television, security studies, Latin American and cultural studies.
588			_aOCLC-licensed vendor bibliographic record.
650		0	_aDrug traffic in motion pictures.
650		0	_aOrganized crime in motion pictures.
650		0	_aOrganized crime on television.
650		0	_aDrug traffic on television.
650		0	_aMotion pictures _zUnited States _xHistory.
650		0	_aTelevision programs _zUnited States _xHistory.
651		0	_aMexico _xIn motion pictures.
651		0	_aMexico _xOn television.
650		7	_aSOCIAL SCIENCE / Media Studies _2bisacsh
650		7	_aSOCIAL SCIENCE / Popular Culture _2bisacsh
650		7	_aSOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies _2bisacsh
856	4	0	_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003024217
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999			_c126605 _d126605