| 000 | 03327cam a2200493 i 4500 | ||
|---|---|---|---|
| 001 | 9780429355257 | ||
| 003 | FlBoTFG | ||
| 005 | 20220509192918.0 | ||
| 006 | m d u | ||
| 007 | cr ||||||||||| | ||
| 008 | 201014t20212021enka obq 001 0 eng | ||
| 040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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| 020 |
_a9781000347869 _qelectronic book |
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| 020 |
_a1000347869 _qelectronic book |
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| 020 |
_a9780429355257 _qelectronic book |
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| 020 |
_a0429355254 _qelectronic book |
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| 020 |
_a9781000347784 _q(e-book) |
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| 020 | _a1000347788 | ||
| 020 |
_a9781000347821 _q(electronic bk. : Mobipocket) |
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| 020 |
_a1000347826 _q(electronic bk. : Mobipocket) |
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| 020 |
_z9780367376116 _qhardcover |
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| 035 | _a(OCoLC)1200832875 | ||
| 035 | _a(OCoLC-P)1200832875 | ||
| 050 | 0 | 4 |
_aPN1997.2.K43 _bK43 2021 |
| 072 | 7 |
_aSOC _x052000 _2bisacsh |
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| 072 | 7 |
_aJFCA _2bicssc |
|
| 082 | 0 | 0 |
_a791.43/72 _223 |
| 245 | 0 | 0 |
_aKedi : _ba docalogue / _cedited by Jaimie Baron and Kristen Fuhs. |
| 264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2021. |
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| 264 | 4 | _c©2021 | |
| 300 |
_a1 online resource (ix, 113 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 0 | _aDocalogue | |
| 500 | _a"Routledge Focus" -- taken from front cover. | ||
| 520 |
_a"This second book in the Routledge Docalogue series focuses on a different critical question related to the film from five different scholarly perspectives. The first essay, by Benjamin Schultz-Figueroa looks at Kedi through the lens of environmental collapse. Yiman Wang builds on Schultz-Figueroa's interest in animal studies to compare Kedi to another documentary about stray animals in Istanbul. The third essay, by Paul Reinsch, performs a close analysis of the sound and the music in this documentary, arguing that the diverse score unites the film's mode of address just as much as the distinctive camera-work does. Chris Cagle looks at the film as an example of something that is not quite popular documentary, but not quite art cinema, arguing that this in-between quality suggests something about commerce, identity, and documentary aesthetics in the contemporary mediascape, while Melis Behlil positions the film within Turkish documentary history, problematizing the notion of a national documentary, taking a political economic approach. Finally, the collection concludes with an interview with filmmaker Ceyda Torun. Together these essays touch upon key topics in documentary studies, including animal studies, eco-documentaries, sound studies, festival/industry studies, and digital technology, making them essential reading for scholars interested in contemporary documentary. They also provide useful case studies for teaching documentary film in courses on Contemporary Cinema, Cultural Studies and Media Industries"-- _cProvided by publisher. |
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| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 630 | 0 | 0 | _aKedi (Motion picture) |
| 650 | 7 |
_aSOCIAL SCIENCE / Media Studies _2bisacsh |
|
| 700 | 1 |
_aBaron, Jaimie, _eeditor. |
|
| 700 | 1 |
_aFuhs, Kristen, _eeditor. |
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| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780429355257 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 999 |
_c126414 _d126414 |
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