000			03319nam a22004575i 4500
001			978-3-642-13358-9
003			DE-He213
005			20140220084538.0
007			cr nn 008mamaa
008			100825s2010 gw | s |||| 0|eng d
020			_a9783642133589 _9978-3-642-13358-9
024	7		_a10.1007/978-3-642-13358-9 _2doi
050		4	_aHD87-87.55
072		7	_aKCP _2bicssc
072		7	_aPOL024000 _2bisacsh
082	0	4	_a338.9 _223
100	1		_aSantagata, Walter. _eauthor.
245	1	4	_aThe Culture Factory _h[electronic resource] : _bCreativity and the Production of Culture / _cby Walter Santagata.
264		1	_aBerlin, Heidelberg : _bSpringer Berlin Heidelberg : _bImprint: Springer, _c2010.
300			_aXIII, 110p. _bonline resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0		_aIntroduction: Questions that Came from Afar -- Introduction: Questions that Came from Afar -- A Model of Production of Culture -- Producing Culture, Conserving Culture -- The Supply Chain of Cultural Production -- Creativity as a Resource, Emotions as a Prerequisite -- Two Models of Creativity: Technological Innovation and Social Quality -- Policies that Stimulate the Production of Culture and Make It Possible to Take the Lead in Strategic Sectors -- The Effects of Creativity on International Markets: The French Genius for Fashion -- Potential Cultural Districts and the Production of Material Culture -- Intellectual Property Rights Take Command -- The Cultural and Creative Industries -- The Market in Contemporary Art -- Producing Culture by Means of Museums -- Conclusions: A White Paper on Creativity and the Production of Culture.
520			_a“Where are your factories that produce culture? Where are your painters, your composers, your architects, your writers, your filmmakers?” The book opens with Leonardo da Vinci and Qin Shi Huang asking embarrassed contemporary policy makers these questions. The first part of the book is therefore devoted to elaborating a model for producing culture. The model takes into account both the role played by creativity in the production of culture in a technologically advanced knowledge society. The second part of the book examines a selection of strategic sectors: fashion, material culture districts, gastronomy, creative industries, entertainment, contemporary art, museums. Special attention is paid to the role collective intellectual property rights play in increasing the quality of culture-based goods and services. In the conclusion policy makers in both developed and developing countries are urged to adopt policies that can foster creativity and promote culture.
650		0	_aEconomics.
650		0	_aRegional planning.
650		0	_aDevelopment Economics.
650		0	_aEconomic policy.
650	1	4	_aEconomics/Management Science.
650	2	4	_aEconomic Policy.
650	2	4	_aRegional and Cultural Studies.
650	2	4	_aDevelopment Economics.
710	2		_aSpringerLink (Online service)
773	0		_tSpringer eBooks
776	0	8	_iPrinted edition: _z9783642133572
856	4	0	_uhttp://dx.doi.org/10.1007/978-3-642-13358-9
912			_aZDB-2-SBE
999			_c112241 _d112241