| 000 | 02580nam a22004095i 4500 | ||
|---|---|---|---|
| 001 | 978-3-531-92602-5 | ||
| 003 | DE-He213 | ||
| 005 | 20140220084519.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 100904s2010 gw | s |||| 0|eng d | ||
| 020 |
_a9783531926025 _9978-3-531-92602-5 |
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| 024 | 7 |
_a10.1007/978-3-531-92602-5 _2doi |
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| 050 | 4 | _aHM401-1281 | |
| 072 | 7 |
_aJHB _2bicssc |
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| 072 | 7 |
_aSOC026000 _2bisacsh |
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| 082 | 0 | 4 |
_a301 _223 |
| 100 | 1 |
_aJung, Berenike. _eauthor. |
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| 245 | 1 | 0 |
_aNarrating Violence in Post-9/11 Action Cinema _h[electronic resource] : _bTerrorist Narratives, Cinematic Narration, and Referentiality / _cby Berenike Jung. |
| 264 | 1 |
_aWiesbaden : _bVS Verlag für Sozialwissenschaften, _c2010. |
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| 300 |
_a130p. _bonline resource. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 520 | _aThis work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence – and by extension the consumers of these imagers – was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films’ visual short-cuts, iconic “real” images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public. | ||
| 650 | 0 | _aSocial sciences. | |
| 650 | 0 | _aSociology. | |
| 650 | 1 | 4 | _aSocial Sciences. |
| 650 | 2 | 4 | _aSociology. |
| 650 | 2 | 4 | _aSociology. |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer eBooks | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783531175102 |
| 856 | 4 | 0 | _uhttp://dx.doi.org/10.1007/978-3-531-92602-5 |
| 912 | _aZDB-2-SHU | ||
| 999 |
_c111166 _d111166 |
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