000 03568nam a22004815i 4500
001 978-1-4419-0172-9
003 DE-He213
005 20140220084502.0
007 cr nn 008mamaa
008 100301s2010 xxu| s |||| 0|eng d
020 _a9781441901729
_9978-1-4419-0172-9
024 7 _a10.1007/b13253
_2doi
050 4 _aQC221-246
072 7 _aPHDS
_2bicssc
072 7 _aSCI001000
_2bisacsh
082 0 4 _a534
_223
100 1 _aAndo, Yoichi.
_eauthor.
245 1 0 _aAuditory and Visual Sensations
_h[electronic resource] /
_cby Yoichi Ando.
264 1 _aNew York, NY :
_bSpringer New York,
_c2010.
300 _aXXV, 340 p.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _aI Temporal and Spatial Sensations in the human auditory system -- Temporal and Spatial Aspects of Sounds and Sound Fields -- Subjective Preferences for Sound Fields -- Electrical and Magnetic Responses in the Central Auditory System -- Model of Temporal and Spatial Factors in the Central Auditory System -- Temporal Sensations of the Sound Signal -- Spatial Sensations of Binaural Signals -- Applications (I) – Music and Concert Hall Acoustics -- Applications (II) – Speech Reception in Sound Fields -- Applications (III) – Noise Measurement -- Applications (IV) – Noise Annoyance -- II Temporal and Spatial Sensations in the Human Visual System -- to Visual Sensations -- Temporal and Spatial Sensations in Vision -- Subjective Preferences in Vision -- EEG and MEG Correlates of Visual Subjective Preferences -- Summary of Auditory and Visual Sensations.
520 _aProfessor Yoichi Ando, acoustic architectural designer of the Kirishima International Concert Hall in Japan, presents a comprehensive rational-scientific approach to designing performance spaces. His theory is based on systematic psychoacoustical observations of spatial hearing and listener preferences, whose neuronal correlates are observed in the neurophysiology of the human brain. A correlation-based model of neuronal signal processing in the central auditory system is proposed in which temporal sensations (pitch, timbre, loudness, duration) are represented by an internal autocorrelation representation, and spatial sensations (sound location, size, diffuseness related to envelopment) are represented by an internal interaural crosscorrelation function. Together these two internal central auditory representations account for the basic auditory qualities that are relevant for listening to music and speech in indoor performance spaces. Observed psychological and neurophysiological commonalities between auditory and visual sensations and preference patterns are presented and discussed. This book thus spans the disciplines of physics, acoustics, psychology, neurophysiology, and music production, thereby blending science, engineering, and art.
650 0 _aPhysics.
650 0 _aHuman physiology.
650 0 _aAcoustics.
650 0 _aPsychology, clinical.
650 1 4 _aPhysics.
650 2 4 _aAcoustics.
650 2 4 _aSignal, Image and Speech Processing.
650 2 4 _aNeuropsychology.
650 2 4 _aHuman Physiology.
650 2 4 _aBiophysics and Biological Physics.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9781441901712
856 4 0 _uhttp://dx.doi.org/10.1007/b13253
912 _aZDB-2-PHA
999 _c110183
_d110183