DIY Cultures and Underground Music Scenes / (Record no. 130955)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05669nam a2200433Ii 4500 |
| 001 - CONTROL NUMBER | |
| control field | 9781315226507 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | FlBoTFG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20220509193142.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION | |
| fixed length control field | m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 190122s2018 fluab ob 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781315226507 (e-book : PDF) |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1076573646 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | FlBoTFG |
| Transcribing agency | FlBoTFG |
| Description conventions | rda |
| 041 1# - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | SOC |
| Subject category code subdivision | 000000 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | SOC |
| Subject category code subdivision | 026000 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | JHB |
| Source | bicscc |
| 245 00 - TITLE STATEMENT | |
| Title | DIY Cultures and Underground Music Scenes / |
| Statement of responsibility, etc | edited by Andy Bennett and Paula Guerra. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | First edition. |
| 264 #1 - | |
| -- | Boca Raton, FL : |
| -- | Routledge, |
| -- | 2018. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (266 pages) : |
| Other physical details | 17 illustrations, text file, PDF. |
| 336 ## - | |
| -- | text |
| -- | rdacontent |
| 337 ## - | |
| -- | computer |
| -- | rdamedia |
| 338 ## - | |
| -- | online resource |
| -- | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Routledge Advances in Sociology |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Introduction -- Andy Bennett and Paul Guerra -- -- Part I: Underground Music Scenes between the Local and the Translocal -- 1. Rethinking DIY Culture in a Post-Industrial and Global Context -- Andy Bennett and Paula Guerra -- 2. Visibility and Conviviality in Music Scenes -- Will Straw -- 3. Punk Stories -- Carles Feixa -- 4. Between Popular and Underground Culture: An Analysis of Bucharest Urban Culture -- Anda Georgiana Becu -- 5. The DIY as a Constitutive Resource of the Specific Punk Capital in France -- Pierig Humeau -- 6. Boys in Black, Girls in Punk: Gender Performances in the Goth and Hardcore Punk Scenes in Northern Germany -- Yvonne Niekrenz -- -- Part II: Music and DIY Cultures: DIY or Die! -- 7. Music, Protest Politics, DIY and Identity in the Basque Country -- Ion Andoni de Amo Castro -- 8. Home Economics: Fusing Imaginaries in the Musical Underground of Wellington, New Zealand -- Katie Rochow -- 9. Proud Amateurs: Deterritorialized Expertise in Contemporary Finnish DIY Micro-Labels -- Juho T. Kaitajrvi-Tiekso -- 10. Noise Records as Noise Culture: DIY Practices, Aesthetics and Trades -- Sarah Benham -- 11. Punk Positif: The DIY Ethic and the Politics of Value in the Indonesian Hardcore Punk Scene -- Sean Martin-Iveson -- -- Part III: Art, Music and Technological Change -- 12. So Far, Yet So Near: The Brazilian DIY Politics of Sofar Sounds A Collaborative Network for Live Music Audiences -- Jeder Silveira Janotti Jr and Victor de Almeida Nobre Pires -- 13. Cassette Cultures in Berlin: Resurgence, DIY Freedom or Sellout? -- Benjamin Dster and Raphal Nowak -- 14. Here Today: The Role of Ephemera in Clarifying Underground Culture -- John Willsteed -- 15. Birth of an Underground Music Scene? Creative Networks and (Digital) DIY Technologies in a Hungarian Context -- Emlia Barna -- -- Part IV: Music Scenes, Memory and Emotional Geographies -- 16. The Inoperative Subculture: History, Identity and Avant-Gardism in Garage Rock -- Daniel S. Traber -- 17. Collectivity and Individuality in US Free Folk Musics -- Maximilan Spiegel -- 18. The Independent Record Label, Ideology and Longevity: Twenty Years of Chemikal Underground Records in Glasgow -- J. Mark Percival -- 19. Verbal Sound System (199798): Recalling a Ravers DIY Practices in the British Free Party Counterculture -- Zoe Armour -- 20. A Howl of the Estranged: Post-Punk and Contemporary Underground Scenes in Bulgarian Popular Music -- Asya Draganova and Shane Blackman. |
| 520 3# - SUMMARY, ETC. | |
| Summary, etc | This volume examines the global influence and impact of DIY cultural practice as this informs the production, performance and consumption of underground music in different parts of the world. The book brings together a series of original studies of DIY musical activities in Europe, North and South America, Asia and Oceania. The chapters combine insights from established academic writers with the work of younger scholars, some of whom are directly engaged in contemporary underground music scenes. The book begins by revisiting and re-evaluating key themes and issues that have been used in studying the cultural meaning of alternative and underground music scenes, notably aspects of space, place and identity and the political economy of DIY cultural practice. The book then explores how the DIY cultural practices that characterize alternative and underground music scenes have been impacted and influenced by technological change, notably the emergence of digital media. Finally, in acknowledging theover 40-year history of DIY cultural practice in punk and post-punk contexts, the book considers how DIY cultures have become embedded in cultural memory and the emotional geographies of place. Through combining high-quality data and fresh conceptual insights in the context of an international body of work spanning the disciplines of popular-music studies, cultural and media studies, and sociology the book offers a series of innovative new directions in the study of DIY cultures and underground/alternative music scenes. This volume will be of particular interest to undergraduate students in the above-mentioned fields of study, as well as an invaluable resource for established academics and researchers working in these and related fields. |
| 530 ## - ADDITIONAL PHYSICAL FORM AVAILABLE NOTE | |
| Additional physical form available note | Also available in print format. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Punk rock music |
| General subdivision | Social aspects. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Punk culture. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | SOCIAL SCIENCE / Sociology / General. |
| Source of heading or term | bisacsh |
| 655 #0 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Bennett, Andy, |
| Relator term | editor. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Guerra, Paula, |
| Relator term | editor. |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | Taylor and Francis. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Display text | Print version: |
| International Standard Book Number | 9780415786980 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Routledge Advances in Sociology. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | https://www.taylorfrancis.com/books/9781315226507 |
| Public note | Click here to view. |
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